Given that it's near as dammit a clone of the Bi-Phase, Phase Two sounds beautiful - it's rich, smooth, gorgeously fluid and mobile. For example - as A sweeps upwards in the left channel, B sweeps downwards in the right. Last but not least, with both phasers set to the same sweep source, the Sync switch enables you to reverse the sweep direction of Phasor B in relation to A, rather than have them moving together in the same direction. In mono, the input to Phasor B can be the input or output of Phasor A (the latter configured in series), or it can be disconnected completely. The Input knob switches its source between the left input, the right input (true stereo, with each phaser processing each side of the signal independently) and the output of Phasor A (resulting in the left-hand side comprising the output of Phasor A and the right delivering the output of A then B). With stereo input, Phasor A always receives input from the left-hand channel and outputs it on the left-hand side, but Phasor B is a bit more complicated. Phase Two can accept mono or stereo signals. If you're after really bubbly phasing, you'll be wanting the two Feedback knobs, which dial in increasingly zingy resonance. Both can alternatively hand control of the sweep over to the aforementioned MIDI CC in CC mode, while Phasor B can also be set to respond to Generator 1 rather than 2.
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